What, me : WAR OBSESSED?Channel 4's 100 Greatest War Films (tho the inclusion of Rambo II all but invalidates the list)
history of war films
What, me : WAR OBSESSED?
Sorry for the delay, and it's not worth the wait. So we got a family of crows in the 'hood. I've mentioned them before, lord Knows where; but what I've read of them is that if you see a few hanging around, it's family. For the last year or so, we have had a flite of 3 crows constantly cawing about. They are my welcome frenz.
Not exactely what yr looking for, @@@.com, but a great article on muthaflockers like you. Bless the nyt for its good writing/ damn the nyt for its role in the manufactiuring of consent.
A bit outdated, but still funny.
And I love the foto of Arnold.
Although I really didn't know it @ the time, Some Girls was a really big deal. And not just me- check out the first (1 & 2) of the blogs I instantly check out when I get online. When "Some Girls" was out that summer of '78, it was just the hit LP out @ the time. It was good, and one heard it all the time on the radio or, as we see, SNL.By the time 20 June, 1980 came around, I had my record collection rolling. I'm too lazy to undue all that blocks up a closet that contains my skeletal diaries from this period that contains the necessary information, but I probably had 15-20 LP's @ this point- mine, my sisters, or borrowed from frenz. I was branching slitley from the Stones, but they were the center of the musical universe. So much Stones stuff to explore @ this point as well - I'd barely touched their catalouge @ this point - when I got the breathless call 20 June 1980 from the New Association's guitarist JJK-
"TURN ON THE LOOP- THEY JUST RELEASED THE NEW STONES LP AND THEY ARE PLAYING IT !!! "
Instantly -I think it was Chemical Man who was over that day- we turned on the radio and listened all day as the d.j. would play a song from the new "Emotional Rescue" ....talk for 10-15 minutes, play some commercials, play an old song, talk some more, play another new song....etc etc etc all day. Late that day they started over again, and other stations did the same. It was different time, when a new Stones could actually stop rock radio for a day. It was an all day carnival that was only duplicated twice in my life, and then not with the radio play*.
It was a very exciting day. All that had gone on before in the Stones history relly didn't contain me. The glory of "some Girls" came @ a time before I really i.d'd myself as a music fan. But June of '80 I was fully in the gang- I was a Glimme twin.
And, I will admit, it wasn't quite as good as "Some Girls". It's a great LP,no doubt; but it's definitely "Some girls" lessor. Now this isn't some sorta Plan A type disillusionment with the Rolling Stones, but there was the bit of a let down. Where "Some Girls" was a deeply distinctive work from the first track on, "Rescue" wasn't. Oh, there were some great Stones songs. The third of my "All time favourite Rolling Stones", for example is on this LP -- " She's so Cold". Nothing to that point in their career sounded like this song. I loved the crisp clean beats by Charlie, the 'lead' bass, and, of course, Keith. The title track is something else, although when it originally came out, I didn't quite know what to make of it. That falsetto was strange, but it's pretty unique. Personally, I like "Let me go", "Send it to me", and "Dance", but it's kinda thin after that. OK; but no "Some Girls". Unlike the grandly arching 1978 LP, this LPs songs like "Where the boys go"and "Summer Romance" sound more or less like toss offs- actually, they sorta sound like the same toss off. "Indian Girl". Another toss off. "All about you" is one of the worst Keith tracks ever, and "Down in the hole" sounds ....disingenuous... Again, I really like this LP, but its certainly a comedown from the last one, a masterpiece. Sorta like "Daydream Nation" after "Sister". Yes, I basically just dissed the LP, but I do place it in the Stones "resurgence" time. "Emotional Rescue"- as slite as it is- is way better than the three before "Some Girls".
The next LP was "Tattoo You", another very good mega hit that contained lots of radio songs. A pretty good LP, a #1 single "Start me Up", and another world tour put the Stones back on top of the charts and news cycles. It was received a lot better than "Rescue", and many songs became radio staples, though not to the extent of "Some Girls"; "Waiting on a Friend", "Hang Fire", "Neighbours", and "Little T & A" are all gret songs, but that beat kept popping up 2-3x every LP now- "Respectible" beget "She's so cold" and "Let me go" and "Hang Fire" and "Neighbours" and "Litle T & A". There were too many songs beginning to sound not all that distinctive.
The next LP, considered by some a disappointment- "Undercover" -is pretty good. I like it more than "Rescue" and "Tattoo", and I like those two a lot. But again, that sound krept in: "She was Hot", "Too Tough" (my favourite song on the LP), and Keith's "Wanna hold you" all had that crisp clicky soundalikesound. "Too much Blood" was great- nice beat and funny Mick lyrics and delivery. But also clicky. I think it was their last GREAT LP. The next LP, "Dirty Work", I'm not sure I even own. I do have "Steel Wheels", but.....
The Stones as new music makers had left my mind. Generally, they represent a classic songs machine to me nowadays, although I'll still give a listen to anything they still put out. Since "Undercover" LP, they have had @ least two excellent songs- "Mixed Emotions" and the 'sounds good in a stadium live' "You got me Rockin". But a new Stones LP doesn't send me into daylong celebrations where the uppermost thought in my mind is "THE NEW STONES IS OUT" !!
But by this point, summer of 1983-I'd become a real music fan. The Stones and Beatles were joined by Zepplin and Public Image and the Yardbirds and the Clash and the June Brides and Selector and the Jam and the Buzzcocks and the Undertones and etc... I was just on the advent of the Smiths revolution and my university years and etc etc etc... My interests had expanded, like all of us, and things I never woulda thought I'd like- DISCO??- I came to adore.
But the Stones were to come back and fairly dominate again my turntable and consciousness in the late 1980's. It's a weeklong lenght of stories for another time, but the confluence of one of my favourite jenkenites with Keith's solo tour in December of 1988 (my favouite single concert show of all time) sent me and many other off in a Stones frenzy for several more years. It's funny- when I was into my heavy Beatle period 2 years ago, I looked to the Stones career and thought "Man, strange" Although I was not in any sorta Stones mood when I started these columns now ended (I had one long story on tap, and decided to cut and expand)- I find myself kinda obsessed again....
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*=in the fall of 1987 with the release of the Smith's "Strangeways here we Come" and in Spring of 1988 with the release of Morrissey's "Viva Hate".
The kids did well. Neice.1 and nephew.2 set up a post Thanksgiving Day game of soccer and it turned out to be a big success. They had put out the message to their frenz and also on Section 8 message boards about the game and they got 26 or so people to play Friday afternoon. They had a field, nets, and a not too cold day to play. I was really happy, because they put a lot of effort into gettin g people to come, and it was a nice mix of people from the neighbourhood and Section 8 people from beyond. Kids did well.
To this day, a transistor radio has found use around the house. There always seems to be a huge premium about them about them coming from my father. When we went to Ireland in 1980, Dad sent one along for his brother Pete- it was my mom who sent along one to Pete when I visited first time as a man in 1997. They were handy for many reasons, but one reason over arched- portable access to all Sox games. Back then all games were on TV, but there were many times one was away from Ch. 44 and needed to hear Harry's mid game call. Since I don't have cable, to this day I always have it handy for all games- Sox, Bulls, Hawks, etc etc etc... In times of emergencies I have even listened to Fire games in generally incomprehensible Spanish on AM 1200. It's a great and valued tool.
"Aftermath" is a perfect example. The two different versions share nine songs but the UK vesion has 14 total to the American 11. Not only that, but "Aftermath" was their 4th UK release but their sixth American. This resulted in a confusion of releases from all the bands- from the stones and beatles to the lessor groups.
Although fully 95% of that stupid piece of literature I like so much-Ulysses -falls under this category, but one of my favourite lines/parts of Ulysses occurs in an early scene- it's one of the three early Stephen led scenes before the book centers on Bloom*. Stephen, in full "Plan A" type glory, is talking to his boss in the school he teaches @. They stodgy stolid old man (maybe not best word- I'll dictionary myself later) and the young vibrant man are discussing the meaning of God or what God is. The older man drones on and on but is suddenly interrupted by the loud joyous shouts though the open window of the school children @ recess. Stephen immediately interjects "There- that is God". I've always agreed.
For all the talk of Morrissey and the Beatles and Sister and "Making Groovy Movies" and the National Trust and the New Association and all of that, Virgil Hilts owes an especially steep and deep debt to The Rolling Stones. When it became time for me to cross the Rubicon and officially declare to the world that I identify'd part of my self in that strain of art called music, it was the Rolling Stones who were the ones that gave me the strenght to say "This is me".
This foto just in from Nas. A. Nice. It gives me a chance to relte a very short hawk story. 87th and Kedzie has a wide open area on 3/4 of the corners. It has a few trees- smallish 20-30 footers. I was returning from school on afternoon and realised that something was going on w/ the birds. A couple of seconds, and I spotted him.
Bet it's the best sauce ever. I went out to get it, and we talked to her friend Mattaeo Jenke fer a bit. Lovely. But this was also good because it established that she was a friend of mine as well.
Here's some creepy voyeristic video vixens, vun of vich ist rite zere nexx t'us, no?