There is that magical moment- no, not that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that or that moment in the book - the moment i'm talking about is that one section - a page an a half - where the English Lord Lieutenant is ridden in his horse carraige through the streets of Dublin.
It's a great moment - you can ACTUALLY UNDERSTAND, FOR A BIT, WHAT'S GOING ON - but it also links all the many mnay many sharacters for the briefest moment in the book. The passage of the carriage is seen or heard by the various characters as they move about the city - afixing for the readers the whreabouts of everyone important - yes yes yes Bloom amd Stephen, but also the little people- for the briefest of moments.
Sorry - it's not an explaination or whatever that you wanna hear - but it's the movement on my shoulder that tries to explain this:
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
Ay, arriba arriba
Por ti sere, por ti sere, por ti sere
Yo no soy marinero
Yo no soy marinero, soy capitan
Soy capitan, soy capitan
Bamba, bamba
Bamba, bamba
Bamba, bamba, bam
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
(Guitar solo - Richie & instrumental)
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
Ay, arriba arriba
Por ti sere, por ti sere, por ti sere
Bamba, bamba
Bamba, bamba
It's a great moment - you can ACTUALLY UNDERSTAND, FOR A BIT, WHAT'S GOING ON - but it also links all the many mnay many sharacters for the briefest moment in the book. The passage of the carriage is seen or heard by the various characters as they move about the city - afixing for the readers the whreabouts of everyone important - yes yes yes Bloom amd Stephen, but also the little people- for the briefest of moments.
Sorry - it's not an explaination or whatever that you wanna hear - but it's the movement on my shoulder that tries to explain this:
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
Ay, arriba arriba
Por ti sere, por ti sere, por ti sere
Yo no soy marinero
Yo no soy marinero, soy capitan
Soy capitan, soy capitan
Bamba, bamba
Bamba, bamba
Bamba, bamba, bam
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
(Guitar solo - Richie & instrumental)
Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
Ay, arriba arriba
Por ti sere, por ti sere, por ti sere
Bamba, bamba
Bamba, bamba
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